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AI-generated films enter China’s mainstream awards through new AIGC unit_我的网站

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A | 美媒《Fadeaway World》晒出一笔三方交易方案，湖人送走布朗尼换回防守悍将，76人促成布朗尼与詹姆斯父子再次重聚，快船则一口气收下两名年轻球员，对于已经全面围绕东契奇争冠的湖人来说，这笔交易确实有一定吸引力。三方交易方案如下湖人得到：克里斯-邓恩、2031年次轮签； 76人得到：布朗尼；快船得到：克内克特、杰登-哈迪。邓恩恰好补上湖人短板从湖人的角度来看，这笔交易最大的价值就是补防守。

B | 上赛季邓恩打满82场，场均贡献7.3分3.3板3.6助1.6断，投篮命中率47.6%，三分命中率37.4%。他的数据并不起眼，可湖人现在真正缺少的也不是另一个控球手，东契奇、里夫斯、塞克斯顿和格莱姆斯都能处理球，球队更需要一名愿意承担外线最难防守任务的后卫。

The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema.
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions.
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema.
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted.
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。邓恩最大的价值就是领防、挤掩护和对持球人的持续施压。

C | 东契奇和里夫斯需要把更多体力留在进攻端，格莱姆斯也不可能每晚承担所有困难对位，如果邓恩加入，湖人可以直接让他去盯对方最有威胁的后卫，同时还能投进空位三分，不需要占用太多球权。更关键的是，这笔方案还能帮助湖人节省大约680万美元薪资，对于一支已经押注当下的球队来说，这种即战力明显比继续囤积年轻后卫更实用。真正让这笔交易充满话题性的还是布朗尼。上赛季他为湖人出战42场，场均只有2.9分0.5板1.2助，不过三分命中率达到38.6%，发展联盟期间则能贡献15.6分3.1板3.6助，整体表现相比进入联盟初期有所提升。布朗尼当然还有培养价值，可湖人现在的时间线已经完全围绕东契奇展开，相比等待布朗尼、克内克特和哈迪未来两三年慢慢成长，换来一名可以直接进入季后赛轮换的防守后卫，显然更符合球队目前的思路。 76人促成詹姆斯父子重聚 76人得到布朗尼的代价则很低，只需要付出一枚2031年次轮签。布朗尼新赛季工资只有230万美元，2027-28赛季还是球队选项，76人完全可以继续让他在发展联盟成长，也不需要挤占马克西、杰伦-布朗等主要轮换的时间。更大的意义自然是詹姆斯，41岁的詹姆斯今夏加盟76人，职业生涯也进入最后阶段，如果球队只用一枚次轮就能让父子再次成为队友，同时得到一名21岁的年轻后卫，风险不高的同时回报有可能巨大，完全值得球队考虑。